{"id":407,"date":"2017-03-23T17:22:53","date_gmt":"2017-03-23T16:22:53","guid":{"rendered":"http:\/\/forseth.se\/idet\/?page_id=407"},"modified":"2017-03-23T17:24:02","modified_gmt":"2017-03-23T16:24:02","slug":"i-broders-huvud","status":"publish","type":"page","link":"https:\/\/forseth.se\/?page_id=407","title":{"rendered":"I br\u00f6ders huvud"},"content":{"rendered":"<p style=\"text-align: center;\">INSIDE LLEWYN DAVIS \u2013 gratistidning.com 2015-09-07<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #800000;\"><a href=\"https:\/\/forseth.se\/idet\/wp-content\/uploads\/2017\/03\/Inside-Llewyn-Davis.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-408\" src=\"https:\/\/forseth.se\/idet\/wp-content\/uploads\/2017\/03\/Inside-Llewyn-Davis.jpg\" alt=\"\" width=\"1000\" height=\"667\" srcset=\"https:\/\/forseth.se\/wp-content\/uploads\/2017\/03\/Inside-Llewyn-Davis.jpg 1000w, https:\/\/forseth.se\/wp-content\/uploads\/2017\/03\/Inside-Llewyn-Davis-300x200.jpg 300w, https:\/\/forseth.se\/wp-content\/uploads\/2017\/03\/Inside-Llewyn-Davis-768x512.jpg 768w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/a><\/span><\/p>\n<style type=\"text\/css\">\n\t<!-- @page { margin: 2cm } P { margin-bottom: 0.21cm } --><br \/>\n\t<\/style>\n<p>&nbsp;<\/p>\n<p lang=\"sv-SE\" align=\"CENTER\"><span style=\"color: #800000;\"><span style=\"font-family: HelveticaNeue-Bold;\"><span style=\"font-size: 300%;\"><b>I br\u00f6ders huvud<\/b><\/span><\/span><\/span><\/p>\n<p lang=\"sv-SE\" align=\"CENTER\"><span style=\"color: #800000;\"><span style=\"font-family: Georgia-BoldItalic,cursive;\"><span style=\"font-size: large;\"><i><b>Br\u00f6der som g\u00f6r film tillsammans<\/b><\/i><\/span><\/span><\/span><\/p>\n<p lang=\"sv-SE\" align=\"CENTER\"><span style=\"color: #800000;\"><span style=\"font-family: Georgia-BoldItalic,cursive;\"><span style=\"font-size: large;\"><i><b>tycks vara ett s\u00e4kert koncept.<\/b><\/i><\/span><\/span><\/span><\/p>\n<p lang=\"sv-SE\" align=\"LEFT\"><span style=\"color: #800000;\"><span style=\"font-family: Georgia,serif;\"><span style=\"font-size: large;\"><span style=\"font-family: Georgia-Italic,cursive;\"><i>Paolo<\/i><\/span> och <span style=\"font-family: Georgia-Italic,cursive;\"><i>Vittorio Taviani<\/i><\/span> i Italien har i en l\u00e5ng rad filmer turats om att regissera varannan scen\u2026 Deras filmer har f\u00e5tt stort genomslag p\u00e5 festivaler, och deras <span style=\"font-family: Georgia-Italic,cursive;\"><i>Padre padrone<\/i><\/span> (1977) slog v\u00e4l r\u00e4tt bra i Sverige. En sex\u00e5rig pojke p\u00e5 Sardinien s\u00e4tts av sin fader ensam i en vildmarkshydda f\u00f6r att vakta f\u00e5ren mot rovdjur. Den skr\u00e4ck som lillen nattetid k\u00e4nner f\u00e5r honom att smita iv\u00e4g till andra, lite \u00e4ldre herdar f\u00f6r att f\u00e5 s\u00e4llskap. Men det uppt\u00e4cker fadern, som med aga gr\u00e4nsande till tortyr l\u00e4r pojken hur viktigt det \u00e4r att aldrig \u00f6verge f\u00e5ren. I st\u00e4llet f\u00f6r skolg\u00e5ng blir pojken \u00e4nda upp till v\u00e4rnplikts\u00e5ldern boendes ute med f\u00e5ren. Som vuxen skriver han sedan boken som blev denna film.<\/span><\/span><\/span><\/p>\n<p lang=\"sv-SE\" align=\"LEFT\"><span style=\"color: #800000;\"><span style=\"font-family: Georgia,serif;\"><span style=\"font-size: large;\">Senast gjorde br\u00f6derna Taviani <span style=\"font-family: Georgia-Italic,cursive;\"><i>Caesar m\u00e5ste d\u00f6<\/i><\/span> (2012), en dokument\u00e4r d\u00e4r f\u00e5ngar i ett italienskt f\u00e4ngelse s\u00e4tter upp <span style=\"font-family: Georgia-Italic,cursive;\"><i>Shakespeares Julius Caesar,<\/i><\/span> en befriande terapiform som i verkligheten redan hade pr\u00f6vats p\u00e5 Kumla p\u00e5 1980-talet med resultatet att fyra av sk\u00e5despelarna rymde.<\/span><\/span><\/span><\/p>\n<p lang=\"sv-SE\" align=\"LEFT\"><span style=\"color: #800000;\"><span style=\"font-family: Georgia,serif;\"><span style=\"font-size: large;\">I v\u00e5rt grannland har vi <span style=\"font-family: Georgia-Italic,cursive;\"><i>Mika <\/i><\/span>och<span style=\"font-family: Georgia-Italic,cursive;\"><i> Aki Kaurism\u00e4ki, <\/i><\/span>som dock brukar g\u00f6ra var sina filmer, inte var sina scener. Storebror Mika \u00e4r v\u00e4l mest k\u00e4nd f\u00f6r gangsterkomedin <span style=\"font-family: Georgia-Italic,cursive;\"><i>Helsinki Napoli \u2013 All night long<\/i><\/span> (1987), som i Italien fick heta <span style=\"font-family: Georgia-Italic,cursive;\"><i>Napoli\u2013Berlino \u2013 Un taxi nella notte.<\/i><\/span> Kanske var Helsingfors f\u00f6r exotiskt f\u00f6r italiensk publik. Men det h\u00f6rs, att det \u00e4r en \u201droad-movie\u201d, vilket \u00e4r ett k\u00e4nnem\u00e4rke f\u00f6r Mika-filmer.<\/span><\/span><\/span><\/p>\n<p lang=\"sv-SE\" align=\"LEFT\"><span style=\"color: #800000;\"><span style=\"font-family: Georgia,serif;\"><span style=\"font-size: large;\">Lillebror Aki \u00e4r den som driver med det finska. I Akis filmer talar man inte i on\u00f6dan. N\u00e4r jag s\u00e5g <span style=\"font-family: Georgia-Italic,cursive;\"><i>Flickan fr\u00e5n t\u00e4ndsticksfabriken<\/i><\/span> fr\u00e5n 1990 (k\u00e4nn rytmen i dess underbara finska titel <span style=\"font-family: Georgia-Italic,cursive;\"><i>Tulitikkutehtaan tytt\u00f6<\/i><\/span> \u2013 <span style=\"font-family: Georgia-Bold;\"><b>T-t-t-t-t-tt<\/b><\/span>), tittade jag p\u00e5 klockan, n\u00e4r n\u00e5gon i filmen sa de f\u00f6rsta orden: Huvudpersonen g\u00e5r in i en tobaksaff\u00e4r och s\u00e4ger \u201dPhilip Morris\u201d och f\u00e5r cigarettpaketet utan ett \u201dVars\u00e5god\u201d eller n\u00e5got annat <span style=\"font-family: Georgia-Italic,cursive;\"><i>knapsu<\/i><\/span> till svar. Filmen hade d\u00e5 p\u00e5g\u00e5tt i tolv minuter. Sedan blir tjejen k\u00e4r, sviken, m\u00f6rdar den svekfulle och hamnar p\u00e5 f\u00e4stning, allt p\u00e5 en timme och tio minuter och n\u00e4stan utan ett ord.<\/span><\/span><\/span><\/p>\n<p lang=\"sv-SE\" align=\"LEFT\"><span style=\"color: #800000;\"><span style=\"font-family: Georgia,serif;\"><span style=\"font-size: large;\">Efter den galna filmen <span style=\"font-family: Georgia-Italic,cursive;\"><i>Leningrad cowboys go America<\/i><\/span> (1989) om v\u00e4rldens s\u00e4msta rockband, som l\u00e4mnar tundran f\u00f6r att sl\u00e5 igenom p\u00e5 Yankee stadium, har Kirunafestivalen g\u00e4stats av sj\u00e4lva bandet, som s\u00e5 att s\u00e4ga kom tillbaka till tundran.<\/span><\/span><\/span><\/p>\n<p lang=\"sv-SE\" align=\"LEFT\"><span style=\"color: #800000;\"><span style=\"font-family: Georgia,serif;\"><span style=\"font-size: large;\">Kiruna filmstudio visade h\u00e4rom \u00e5ret <span style=\"font-family: Georgia-Italic,cursive;\"><i>Nathalie<\/i><\/span> (2011) med <span style=\"font-family: Georgia-Italic,cursive;\"><i>Audrey Tautou<\/i><\/span> i titelrollen (hon som spelade Am\u00e9lie fr\u00e5n Montmartre, ni vet). I den h\u00e4r filmen jobbar hon p\u00e5 ett f\u00f6retag lett av en svensk, varvid all personal instruerats att dua varandra, vilket inte \u00e4r s\u00e4rskilt franskt\u2026 Filmen regisserades av br\u00f6derna <span style=\"font-family: Georgia-Italic,cursive;\"><i>David<\/i><\/span> och <span style=\"font-family: Georgia-Italic,cursive;\"><i>St\u00e9phane Foenkinos.<\/i><\/span><\/span><\/span><\/span><\/p>\n<p lang=\"sv-SE\" align=\"LEFT\"><span style=\"color: #800000;\"><span style=\"font-family: Georgia,serif;\"><span style=\"font-size: large;\">Fr\u00e5n Belgien har vi f\u00e5tt m\u00e5nga socialrealistiska dramer av br\u00f6derna <span style=\"font-family: Georgia-Italic,cursive;\"><i>Jean-Pierre <\/i><\/span>och<span style=\"font-family: Georgia-Italic,cursive;\"><i> Luc Dardenne<\/i><\/span>: <span style=\"font-family: Georgia-Italic,cursive;\"><i>Sonen<\/i><\/span> (2002), <span style=\"font-family: Georgia-Italic,cursive;\"><i>Barnet<\/i><\/span> (2005) och <span style=\"font-family: Georgia-Italic,cursive;\"><i>Tv\u00e5 dagar, en natt<\/i><\/span> (2014) med flera.<\/span><\/span><\/span><\/p>\n<p lang=\"sv-SE\" align=\"LEFT\"><span style=\"color: #800000;\"><span style=\"font-family: Georgia,serif;\"><span style=\"font-size: large;\">I \u201dBarnet\u201d bor ett par gatuungdomar i h\u00e5lor och under broar. De \u00e4lskar varandra. Hon f\u00f6der ett barn, och n\u00e4r hon l\u00e4mnat det hos honom ett tag f\u00f6r att g\u00e5 och skaffa mat, s\u00e4ljer han barnet\u2026 (Observera, att filmen forts\u00e4tter d\u00e4rifr\u00e5n; den unge mannen \u00e4r helt enkelt bara socialt inkompetent, som man s\u00e4ger idag, medan flickan svimmar n\u00e4r hon f\u00e5r veta.)<\/span><\/span><\/span><\/p>\n<p lang=\"sv-SE\" align=\"LEFT\"><span style=\"color: #800000;\"><span style=\"font-family: Georgia,serif;\"><span style=\"font-size: large;\">N\u00e5, denna vecka \u00e4r det ett amerikanskt br\u00f6drapar som gjort filmen: <span style=\"font-family: Georgia-Italic,cursive;\"><i>Joel<\/i><\/span> och <span style=\"font-family: Georgia-Italic,cursive;\"><i>Ethan Coen.<\/i><\/span> De har gjort en rad egensinniga filmer i <span style=\"font-family: Georgia-Italic,cursive;\"><i>film noir<\/i><\/span>-stil och en mer rak kriminalare, <span style=\"font-family: Georgia-Italic,cursive;\"><i>Fargo<\/i><\/span> (1996). De gjorde 2000 \u201dsin\u201d version av <span style=\"font-family: Georgia-Italic,cursive;\"><i>Homeros Odyss\u00e9n<\/i><\/span> (<span style=\"font-family: Georgia-Italic,cursive;\"><i>O brother, where art thou?)<\/i><\/span> och sin version av den gamla engelska komedin <span style=\"font-family: Georgia-Italic,cursive;\"><i>Ladykillers<\/i><\/span> 2004 samt sin version av vilda v\u00e4stern-filmen <span style=\"font-family: Georgia-Italic,cursive;\"><i>De sammanbitna<\/i><\/span> (1969) \u2013 <span style=\"font-family: Georgia-Italic,cursive;\"><i>True grit<\/i><\/span> (2010). Stenh\u00e5rd krigskritik var det med <span style=\"font-family: Georgia-Italic,cursive;\"><i>No country for old men<\/i><\/span> (2007) och nu p\u00e5 torsdag \u00e4r det musik som g\u00e4ller.<\/span><\/span><\/span><\/p>\n<p lang=\"sv-SE\" align=\"LEFT\"><span style=\"color: #800000;\"><span style=\"font-family: Georgia,serif;\"><span style=\"font-size: large;\">F\u00f6r <span style=\"font-family: Georgia-Italic,cursive;\"><i>Inside Llewyn Davis<\/i><\/span> (2013) \u00e4r en dramakomedi om en folkmusiks\u00e5ngare, <span style=\"font-family: Georgia-Italic,cursive;\"><i>Llewyn Davis.<\/i><\/span> Och eftersom br\u00f6derna Coen har gjort filmen f\u00e5r man nog valuta f\u00f6r pengarna.<\/span><\/span><\/span><\/p>\n<p lang=\"sv-SE\" align=\"LEFT\"><span style=\"color: #800000;\"><span style=\"font-family: Georgia,serif;\"><span style=\"font-size: large;\">Men varf\u00f6r finns det inte en massa filmsystrar som regiss\u00f6rer?<\/span><\/span><\/span><\/p>\n<p lang=\"sv-SE\" align=\"RIGHT\"><span style=\"color: #800000;\"><span style=\"font-family: HelveticaNeue-Italic,cursive;\"><span style=\"font-size: medium;\"><i>En id\u00e9 i idet av Bj\u00f6rn Forseth<\/i><\/span><\/span><\/span><\/p>\n<p lang=\"sv-SE\" style=\"text-align: center;\" align=\"RIGHT\"><a href=\"..\/idet\">\u00c5ter<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>INSIDE LLEWYN DAVIS \u2013 gratistidning.com 2015-09-07 &nbsp; &nbsp; I br\u00f6ders huvud Br\u00f6der som g\u00f6r film tillsammans tycks vara ett s\u00e4kert koncept. Paolo och Vittorio Taviani i Italien har i en l\u00e5ng rad filmer turats om att regissera varannan scen\u2026 Deras filmer har f\u00e5tt stort genomslag p\u00e5 festivaler, och deras Padre padrone (1977) slog v\u00e4l r\u00e4tt &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/forseth.se\/?page_id=407\" class=\"more-link\">Forts\u00e4tt l\u00e4sa<span class=\"screen-reader-text\"> \u201dI br\u00f6ders huvud\u201d<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":35,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-407","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/forseth.se\/index.php?rest_route=\/wp\/v2\/pages\/407","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/forseth.se\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forseth.se\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forseth.se\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forseth.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=407"}],"version-history":[{"count":2,"href":"https:\/\/forseth.se\/index.php?rest_route=\/wp\/v2\/pages\/407\/revisions"}],"predecessor-version":[{"id":410,"href":"https:\/\/forseth.se\/index.php?rest_route=\/wp\/v2\/pages\/407\/revisions\/410"}],"wp:attachment":[{"href":"https:\/\/forseth.se\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=407"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}